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SHEKHAWATI & DIU, INDIA
PURCHASE
As a result of meeting a student on the
train when leaving India, on his next
trip in 1972 Ilay visited his village in
Haryana. There, he bought a second hand
bicycle, on which he set out for
neighbouring Rajasthan, then crossed
North India from Jaisalmer to Bodh Gaya
in Bihar. In arid Churu district, he
came upon the local merchants’ mansions,
havelis, each enclosing one or more
courtyards, their walls covered with
bright paintings. Later, he could find
no illustrations of such painted houses
and no one seemed aware of them.
In 1975, travelling through Churu
district and neighboring Shekhawati
(Jhunjhunu and Sikar districts) with a
camera, he found that such painted
havelis were peculiar to small towns in
those three districts. Murals also
decorated the local temples, memorial
cupolas, wells and caravansarais.
Ilay settled in Churu, partly because he
made friends with
Nand Kishor Chaudhary,
a local shopkeeper. From there, he began
to study the buildings, their background
and their paintings. Indian and British
libraries revealed the region’s history
and that of the Marwari merchant
community, which now controls some 50%
of India’s industrial capital. Marwaris
financed most of Shekhawati’s fine
buildings, but the earliest murals were
funded by local barons and decorate late
17th and 18th century temples and
memorials.
He was commissioned by the Indian
National Trust for Art and Cultural
Heritage (INTACH) to document the
phenomenon and, aided by a local
teacher, Ravindra Sharma, worked from
1985 to 1987, describing and
photographing 2260 buildings.
During winter 1987-88, he was
commissioned by INTACH to document the
monuments of Diu, an erstwhile
Portuguese enclave on Gujarat’s coast.
Here, aided by Bharat Patadia, he
described and photographed 207
buildings.
As a result of his work and extensive
travel though the region, he wrote,
illustrated and drew the maps for
THE PAINTED TOWNS OF SHEKHAWATI
(Latest edition published 2008 – see
Publications and Photography), the
classic work, now in its third edition.
[ To view more writing on this subject
please see
PUBLICATIONS & PHOTOGRAPHY ]
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